JOHN LEWIS: GOOD TROUBLE, directed by acclaimed filmmaker Dawn Porter (TRAPPED, GIDEON’S ARMY), chronicles the life and career of the legendary civil rights activist and Democratic Representative from Georgia, and celebrates his 60-plus years of social activism and legislative action on civil rights, voting rights, gun control, health-care reform, and immigration.

“Just the fact that we have the Berkeley Art Museum and a really active theater and film archive … it’s just a really great resource to have.”Copyright © 2017 UC Regents; all rights reserved |

Once regularly filling its 230-seat theater and hosting more than 500 programs a year, BAMPFA has had to close its physical location indefinitely and cease its in-person operations due to the COVID-19 pandemic.

… (It’s) really wonderful because we attract people who are really keen on art or film, some on performance,” Oxtoby said. ... Berkeley, California 94720-5860 (510) 642-3383 - phone (510) 643-9136 - fax UC Berkeley - main site. SOUND DESIGNER: Jacob Bloomfield-Misrach Trapped: What Remains of a Women’s Right to Choose? “We show a film that can be shown without its original soundtrack, like a silent film or a foreign language film, and then DJs and live performers come in and perform the score.” The committee also has plans to continue its annual spring film festival — an event that took place online last May without major hiccups.Despite the closure of the film archive’s physical location, Oxtoby and company are sure to continue providing content to the campus community as long as there’s an audience for it. “We show a film that can be shown without its original soundtrack, like a silent film or a foreign language film, and then DJs and live performers come in and perform the score.” The committee also has plans to continue its annual spring film festival — an event that took place online last May without major hiccups.Despite the closure of the film archive’s physical location, Oxtoby and company are sure to continue providing content to the campus community as long as there’s an audience for it.

Little is certain for those returning to UC Berkeley for the upcoming semester. RERECORDING MIXER: James LeBrecht.

There’s a certain pride that Oxtoby finds in confronting and overcoming the difficulties presented by social distancing. This is certainly true for the Pacific Film Archive — a staple in Berkeley’s art scene and nightlife since it integrated with the Berkeley Art Museum in 1971. Your support is essential to maintaining this coverage. BAMPFA also continues its long tradition of hosting conversations with filmmakers, critics and historians, work that Oxtoby considers key to the art museum’s public mission. Units: 4. MUSIC BY: Andrew Ching, William Ryan Fritch, and Jacob Bloomfield-Misrach POST-PRODUCTION SOUND: Berkeley Sound Artists.

But it’s so important to think of how important BAMPFA is for students attending Berkeley,” she explained. The precariousness of the museum’s operations in this state is not lost on Susan Oxtoby, the museum’s director of film curation.

TECHNICAL ADVISOR: Chris O’Dea. Like much of its “Watch From Home” series, “I Am Somebody” and the rest of the Madeline Anderson Spotlight is free to stream on the BAMPFA website.

Eisen, two pastry cooks at Chez Panisse in Berkeley, felt the weight of the cause about a week after George Floyd was killed. Little is certain for those returning to UC Berkeley for the upcoming semester. “It’s all getting a little technical,” she jokingly warned, but this has yet to deter Oxtoby from trying. From fluctuating campus policies to the uncertain state of clubs and activities, the fall semester and fully remote operations are certain to be a testing ground for the longevity and adaptability of many longstanding university traditions and institutions. Once regularly filling its 230-seat theater and hosting more than 500 programs a year, BAMPFA has had to close its physical location indefinitely and cease its in-person operations due to the COVID-19 pandemic. “I don’t see us opening before the end of 2020, … more likely, not until there’s a vaccine,” Oxtoby reported in an interview with The Daily Californian, echoing a harsh reality that many nonprofit arts institutions now face. There’s a certain pride that Oxtoby finds in confronting and overcoming the difficulties presented by social distancing.

Watch a live conversation and Q&A with director Dawn Porter and San Francisco Chronicle East Bay columnist Otis R. Taylor Jr., whose reporting focuses on race, housing, policing, and immigration.

Dawn Porter; Time: Tu 2:00 - 6:00. The precariousness of the museum’s operations in this state is not lost on Susan Oxtoby, the museum’s director of film curation.

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